Category: note

AI in Education

Because I have taught classes where we have either focused on the earlier phases of AI, recurrent neural networks and transformers, where I have in fact allowed students (in later classes) to use AI to draft code, I am often asked about AI in education more generally. The honest answer is: I have no idea. My small corner of higher education deals mostly with both qualitative and quantitative analyses of certains types of vernacular discourse—e.g., legends, conspiracy theories, memes. And the classes I teach are either oriented toward those forms, or toward forms, like narrative games, that might enjoy something with my expertise and interest to make an interesting contribution to someone’s education.

What I hear from faculty, however, is mostly anxiety (but also sometimes exuberance) over an escalation in technology usage and dependence that reminds me of the subplot in Real Genius involving the math class. When the protagonist first enters the classroom, it is the traditional scene we imagine: professor upfront and students in desks. The next time we glimpse the classroom, a few students have been replaced with recording devices. The next time the professor walks into the room, it’s a sea of recording devices. In the final tableau, our protagonist walks into the room with nothing but recording devices on student desks and a player — in this case a reel-to-reel tape deck! — delivering the lecture.

A scene from the film Real Genius

The protagonist stands, befuddled, in an aisle, and the audience enjoys a chuckle from the irony of the escalation of technology such that both professors and students have been replaced by devices.

Now, with AI, the fear isn’t that students won’t come to class but that they will submit work not generated by themselves but by one of the LLMs. This in turn has led to some of the plagiarism detection services adding the ability to detect AI-generated text as part of what they can do, or professors hand-checking or believeing that they can simply “just tell” when a written assignment has been generated by AI.

There are ways around this, of course. In my text analytics course I allowed students to use AI to generate code, warning them they would need to revise it for the particular nature of the assignments, but that they should generate the documentation themselves: the course used Jupyter notebooks and I required both # comments in the code blocks but also plain language descriptions and explanations in the text blocks. The way I reinforced the importance of understanding the concepts and methods behind the code was by requiring the final assignment to be hand-written in class with no devices available. Students who had taken the documentation dimension of the assignments seriously and done the work did well. Those who had relied on AI for too much did not do so well.

In other classes, I tend to encourage, or require where appropriate, that students bring in printouts of the essays we will discuss in class. I also encourage taking notes by hand. In the case of the latter, there has been more than enough work done to establish how much better note-taking by hand is in terms of processing material and making it your own.

I’m also lucky to teach classes, like the one on narrative games, where students want to do the work for themselves. It’s their chance to be creative and to make something. To encourage this, I tend to start with a tabletop role playing game (TTRPG) which they can develop entirely by hand.

Color Schemes for the Color Blind

I was very fond of my slides that used a very intense pink as part of their design, but I realized that the pink was a problem for the most common form of color blindness, deuteranopia (red blindness). A little digging turned up this NCEAS Science Communication. I was most interested in the pairings, and so this diagram from the first page is the one I found most useful:

Color Pairings for the Red Blind

Internal CMS

The Sweet Setup has Shawn Blanc’s Detailed Ulysses Setup, which is compelling in its comprehensiveness. He appears to have all, or at least much, of his writing life/work operating in and through Ulysses:

I think much the same could be done in Devonthink, though I am not sure about the custom folder icons, which really do, I think, make a difference in terms of UI and UX.

The idea of an internal content management system (CMS) is of course very appealing. For a long time, I ran much of my thinking through previous iterations of this WordPress blog. Then I got burned by a couple of incidents, and, too, I fell in love with having everything in plain texts (and not necessarily XML). But having developed a reasonably good journaling habit using Day One, I feel a little less compelled to insist that everything has to be in an open format. As long as you can get it there with a relatively small number of steps, I am willing to give it a shot.

What It’s Like

Working at a third-tier institution is not all wine and roses. Trying to get research done with an ill-equipped library is pretty rough. And, yes, I hear all of you out there talking about Anna’s Archive, but no gray- or blackmarket website should be an excuse for an institution not taking its responsibility to support research and teaching seriously.

The library at my university has not had a serious book budget since 2005, which means that the last 20 years of humanities scholarship is missing from the shelves. Instead, we are offered ebooks that the library rents from various services:

And search results are often deceiving: you think you have access to a book, but you really don’t:

So many copies! But you only get 60 pages if you elect not to use Adobe’s HellScape app.

I’m afraid the results for journals is perhaps even worse, with out card catalog often woefully unaware that some journals exist. Take for example my recent search for Language and Literature:

I’m not sure what journal that is, but the journal I had in mind is:

But we don’t have it, along with dozens and dozens of other journals.